De la filmologie à la sémiologie : figures de l’alternance au cinéma
“De la filmologie à la sémiologie : figures de l’alternance au cinéma,” Cinémas 25, nos. 2-3 (Spring 2015), pp. 159-73, and “Christian Metz, le montage et les formes de l’alternance,” Cinémas 26, no. 1 (Fall 2015), pp. 95-108 (two-part article derived from a conference paper presented in Zurich in 2013 at the conference Le paradigme sémiologique et la pensée « cinématographique » de Christian Metz). In English “Christian Metz, Editing, and Forms of Alternation” (with Philippe Gauthier), in Margrit Tröhler and Guido Kirsten (eds.), Christian Metz and the Codes of Cinema: Film Semiology and Beyond, Amsterdam: Amsterdam University Press, 2018, pp. 201-26.
This content has been updated on 12 November 2021 at 15 h 47 min.