Le montage alterné face à l’histoire : l’exemple d’Attack on a China Mission
“Le montage alterné face à l’histoire : l’exemple d’Attack on a China Mission” (with Nicolas Dulac), Cinéma & Cie 9 (Fall 2007), pp. 17-32 (article derived from a conference paper entitled “Approche historiographique des versions multiples du film Attack on a China Mission” presented in 2005 at the MAGIS International Film Studies Spring School in Gradisca d’Isonzo, Italy). In English “Cross-cutting in the Face of History: The Case of Attack on a China Mission,” Early Popular Visual Culture 7, no. 1 (April 2009), pp. 1-18.
This content has been updated on 12 November 2021 at 15 h 46 min.