“Théâtralité” et “narrativité” dans l’oeuvre de Georges Méliès
“« Théâtralité » et « narrativité » dans l’œuvre de Georges Méliès,” in Madeleine Malthête-Méliès (ed.), Méliès et la naissance du spectacle cinématographique, Paris: Klincksieck, 1984, pp. 199-219 (article derived from a conference paper presented in 1981 at the Cerisy conference Méliès et la naissance du spectacle cinématographique). In Spanish “Teatralidad y narratividad en la obra de Georges Méliès,” in Georges Méliès Mexico: Filmoteca de la UNAM, 1982, pp. 81-100. In Italian “Teatralità e narratività nell’opera di Georges Méliès,” in Riccardo Redi (ed.), Méliès, Rome: Di Giacomo Editore, 1987, pp. 23-39. In English “Theatricality” and “Narrativity” in the Work of Georges Méliès, Working Paper Series, Graduate Communication Program, McGill University, September 1982, 14 pp. Translation by Paul Attallah reprinted in an abridged version (adapted and revised by Tom Gunning and Vivian Sobchak), entitled “Theatricality, Narrativity, and Trickality: Reevaluating the Cinema of Georges Méliès,” Journal of Popular Film and Television 15, no. 3 (Fall 1987), pp. 110-19, reprinted in Matthew Solomon (ed.), Fantastic Voyages of the Cinematic Imagination: Georges Méliès’s Trip to the Moon, Albany: State University of New York Press, 2011, pp. 31-47, and in Richard Abel (ed.), Early Cinema, Volume III: Filmic Developments, Abingdon: Routledge, 2014, pp. 242-55. In German “Theatralität, Narrativität und ‘Trickästhetik’: Eine Neuberwertung der Filme von Georges Méliès,” KINtop 2 (1993), pp. 31-44. In Polish “Teatralnosc, narracyjnosc i ‘trickowosc’: Oceniajac kino Georges’a Mélièsa,” in Malgorzata Hendrykowska (ed.), Cienu Braci Lumière, Poznan: Ars Nova, 1995, pp. 24-36.
This content has been updated on 12 November 2021 at 15 h 38 min.