Peer-reviewed articles and contributions to edited collections 2018
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“The Sublime Spittle of the Opera Singer” (with Philippe Marion), in Rossella Catanese, Francesca Scotto Lavina and Valentina Valente (eds.), From Sensation to Synaesthesia in Film and New Media, Newcastle upon Tyne: Cambridge Scholars Publishing, 2019, pp. 58-71 (article derived from a conference paper entitled “La sublime bave du chanteur d’opéra…” presented in 2014 at the MAGIS International Film Studies Spring School in Gorizia, Italy).
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“« Bélinographisation », télécinéma et vidéocinéma” (with Philippe Marion), Cinémas 29, no. 1 (Fall 2018), pp. 33-49 (article derived in part from a conference paper entitled “La « bélinographisation » du vidéocinéma et son impact sur l’authenticité médiatique” presented in 2017 at the 3rd conference of the International Society for Intermedial Studies).
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“The Double Birth Model Tested against Photography” (with Philippe Marion), in Simone Natale and Nicoletta Leonardi (eds.), Photography and Other Media in the Nineteenth Century, University Park: Penn State University Press, 2018, pp. 191-204. “Le modèle de la double naissance à l’épreuve de la photographie,” article unpublished in French, which reworks from a new perspective certain elements of chapter 5 of La fin du cinéma? (2013).