Peer-reviewed articles and contributions to edited collections 2004
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“Heads or Tails: The Emergence of a New Cultural Series, from the Phenakisticope to the Cinematograph” (with Nicolas Dulac), Invisible Culture: An Electronic Journal for Visual Culture 8 (Fall 2004), http://ivc.lib.rochester.edu/heads-or-tails-the-emergence-of-a-new-cultural-series-from-the-phenakisticope-to-the-cinematograph; reworked in an expanded and considerably revised version entitled “Circularity and Repetition at the Heart of the Attraction: Optical Toys and the Emergence of a New Cultural Series,” in Wanda Strauven (ed.), The Cinema of Attractions Reloaded, Amsterdam: Amsterdam University Press, 2006, pp. 227-44. In Italian “Il principio e la fine… Tra fenachistoscopio e cinematografo: l’emergere di una nuova serie culturale,” in Veronica Innocenti and Valentina Re (eds.), Limina. Le soglie del film/Film’s Thresholds, Udine: Forum, 2004, pp. 185-201. In French (revised version) “La circularité et la répétitivité au cœur de l’attraction : les jouets optiques et l’émergence d’une nouvelle série culturelle,” 1895. Revue de l’association française de recherche sur l’histoire du cinéma 50 (December 2006), pp. 29-52.
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“Cinématographie-attraction et attraction des lointains” (with the collaboration of Églantine Monsaingeon), in Imatge i viatge. De les vistes òptiques al cinema: la configuració de l’imaginari turístic, Girona: Museu del Cinema, 2004, pp. 85-102 (derived from a conference paper presented in Girona in 2003 at the conference Image et voyage. Des vues d’optique au cinéma : la configuration de l’imaginaire touristique).
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“Les catalogues des premiers fabricants de vues animées : une première forme de novellisation?” (with Philippe Marion), in Jan Baetens and Marc Lits (eds.), La novellisation. Du film au livre/Novelization: From Film to Novel, Leuven: Leuven University Press, 2004, pp. 41-59 (article derived from a conference paper presented in Louvain in 2003 at the conference Poétique de la novellisation. Médias et adaptation).
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“Du sable dans les rouages du dispositif…” (with Philippe Marion), in André Gaudreault, Catherine Russell and Pierre Véronneau (eds.), Le Cinématographe, nouvelle technologie du XXe siècle/The Cinema, A New Technology for the XXth Century, Lausanne: Payot Lausanne, 2004, pp. 229-42 (article derived from a conference paper presented at the 7th Domitor conference, Early Cinema: Technology and Apparatus in Montreal in 2002).
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“Les vues cinématographiques selon Pathé ou Comment la cinématographie embraye sur un nouveau paradigme,” in Laurent Le Forestier and Michel Marie (eds.), La firme Pathé Frères (1896-1914), Paris: Association française de recherche sur l’histoire du cinéma, 2004, pp. 237-46 (article derived from a conference paper entitled “Les vues cinématographiques selon Pathé ou Comment la cinématographie embraye sur une nouvelle « série culturelle »,” presented at the 4th Domitor conference in Paris in 1996).