Publications 2021
Peer-reviewed articles and contributions to edited collections
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“Les intervalles sériels à l’aune des « séries culturelles »” (with Philippe Marion), Sens public, 2021 (article derived from the opening lecture given at the international conference Intervalles sériels : littérature, cinéma, télévision, médias held in Montreal in April 2019). In Spanish “Los intervalos seriales bajo el prisma de las series culturales,” Cine documental 23, 2021, pp. 291-324, http://revista.cinedocumental.com.ar/los-intervalos-seriales-bajo-el-prisma-de-las-series-culturales. In Portuguese “Intervalos Seriais da Perspectiva das ‘Séries Culturais’,“ Nava 7, no. 1, December 2021, pp. 272-95, https://periodicos.ufjf.br/index.php/nava/article/view/35846.
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“Les vues animées selon Georges Méliès : une remédiation sobre et sans prétention ou Quand Méliès prend position contre… le cinéma!,” in Marion Colas-Blaise and Gian Maria Tore (eds.), « Re- ». Répétition et reproduction dans les arts et les médias, Sesto San Giovanni: Éditions Mimésis, 2021, pp. 185-210 (article derived from a conference paper presented in French in the city of Luxembourg in 2017 at the conference Re-make! Réénoncer, relocaliser, remédier à l’ère numérique, and in English at Ghent University in November 2018 at the conference Rethinking the Attractions – Narrative Dialectics: New Approaches to Early Cinema). In English “Recording, Remediating and the Creation of Attractional Packages: When Méliès Took a Stand Against . . . Cinema!,” in Mario Slugan and Daniël Biltereyst (eds.), New Perspectives on Early Cinema History: Concepts, Methods, Applications, London: Bloomsbury, forthcoming 2021.
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“L’histoire à venir d’un médium en train de disparaître,” in Benoît Turquety and Selim Krichane (eds.), Des avant-dernières machines. Cinéma, techniques, histoire, Lausanne: L’Âge d’Homme, 2020, pp. 309-22 (article derived from a conference paper presented in English in Boston in March 2012 at the annual SCMS conference and in French in Lausanne in November of the same year at the conference Techniques, machines, dispositifs : perspectives pour une nouvelle histoire technologique du cinéma). In English “The Future History of a Vanishing Medium,” in Annie van den Oever (ed.), Technē/Technology: Researching Cinema and Media Technologies – Their Development, Use, and Impact, Amsterdam: Amsterdam University Press, 2014, pp. 261-71.
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“Des machines à monter qui permettent aux images de défiler,” in Laurent Le Forestier, Gilles Mouëllic and Benoît Turquety (eds.), Techniques et machines de cinéma, objets, gestes, discours, Paris: Classiques Garnier (Écrans 1, no. 13), 2020, pp. 73-89 (article derived from a conference paper presented in Rennes in October 2017 at the international doctoral student conference Cinéma et machines).
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“Un parcours sériel du « télé » : bélinographie et télécinéma” (with Philippe Marion), in Marta Boni (ed.), Formes et plateformes de la télévision à l’ère du numérique, Rennes: Presses universitaires de Rennes, 2020, pp. 62-75 (article derived in part from a conference paper entitled “La « bélinographisation » du vidéocinéma et son impact sur l’authenticité médiatique” presented in Montreal in 2017 at the Authentic Artifice/Authentique artifice conference).
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“Cinema Hangs Tough” (with Philippe Marion), in Dominique Chateau and José Moure (eds.), Post-cinema: Cinema in the Post-art Era, Amsterdam: Amsterdam University Press, 2020, pp. 67-83 (article derived from a conference paper presented in Paris in November 2018 at the IRCAV international conference Crise, quelle crise? Cinéma, audiovisuel, nouveaux médias. In French “Le cinéma persiste et signe”, to be published in 2021 in Théorème.
Introductions, prefaces and forewords