Publications 2012

Books

• A Companion to Early Cinema (edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo, assisted by Pierre Chemartin), Hoboken: Wiley-Blackwell, 2012, 631 pp.
• The Kinematic Turn: Film in the Digital Era and Its Ten Problems (with Philippe Marion), Montreal: caboose, 2012, 51 pp. First publication of an essay translated from the French by Timothy Barnard. The Kinematic Turn: Film in the Digital Era and Its Ten Problems, expanded second edition, Montreal: caboose, 2020, 87 pp. In Turkish Kinematik Dönemeç: On Sorunda Filmin Dijital Çağı, Yort, 2020, 80 pp.

Peer-reviewed articles and contributions to edited collections

• “Le cinéma est encore mort! Un média et ses crises identitaires…” (with Philippe Marion), MEI Médiation et Information 34 (2012), pp. 27-41 (article derived from a conference paper entitled “Le cinéma est mort encore… Généalogie des crises identitaires du septième art,” presented in 2009 at the 16th international Film Forum conference). In Italian “Il cinema è morto, ancora! Un medium e le sue crisi d’identità…,” in Francesco Casetti, Jane Gaines and Valentina Re (eds.), Dall’inizio, alla fine. Teorie del cinema in prospettiva/In the Very Beginning, at the Very End: Film Theories in Perspective, Udine: Forum, 2010, pp. 135-42.
• “Du filmage au tournage: débrayer l’effet-archives de l’enregistrement cinématographique,” (with Philippe Marion), Cinémas 23, no. 1 (Fall 2012), pp. 93-111 (article derived from a conference paper entitled “Les images de film sont-elles des archives filmées?” presented at the 18th international Film Forum conference in Udine in 2011). In Italian “Le immagini filmiche sono degli archivi filmati?,” in Alessandro Bordina, Sonia Campanini and Andrea Mariani (eds.), L’Archivio/The Archive, Udine: Forum, 2012, pp. 317-25.  
• “Les séries culturelles de la conférence-avec-projection et de la projection-avec-boniment : continuités et ruptures” (with Philippe Gauthier), in Marta Braun, Charlie Keil, Rob King, Paul S. Moore and Louis Pelletier (eds.), Beyond the Screen: Institutions, Networks, and Publics of Early Cinema, Eastleigh: John Libbey Publishing, 2012, pp. 233-38 (article derived from a conference paper presented at the Domitor conference Beyond the Screen: Institutions, Networks, and Publics of Early Cinema in Toronto in 2010).
• “The Culture Broth and the Froth of Cultures of So-called Early Cinema,” in Nicolas Dulac, André Gaudreault and Santiago Hidalgo (eds.), A Companion to Early Cinema, Hoboken: Wiley-Blackwell, 2012, pp. 15-31. In French Le cinéma dit des premiers temps. Un bouillon de culture en pleine ébullition…,” in André Gaudreault and Martin Lefebvre (eds.), Techniques et technologies du cinéma. Modalités, usages et pratiques des dispositifs cinématographiques à travers l’histoire, Rennes: Presses universitaires de Rennes, 2015, pp. 41-60. In Portuguese “O Cinema Dito dos Primeiros Tempos: um Caldo de Cultura em Plena Ebulição…,” Galáxia 37, 2018, p. 19-40.
• “Série culturelle et réflexivité cinématographique au tournant des années 1910 (chez Linder, notamment)” (with Germain Lacasse), in François Amy de la Bretèque, Emmanuelle André, François Jost, Raphaëlle Moine, Guillaume Soulez and Jean-Philippe Trias (eds.), Cinéma et audiovisuel se réfléchissent. Réflexivité, migrations, intermédialité, Paris: L'Harmattan, 2012, pp. 15-23 (article derived from a conference paper entitled “Les séries culturelles comme modèle proclamé” presented in Montpellier in 2010 at the 6th AFECCAV congress).

Introductions, prefaces and forewords

• “Introduction” (with Nicolas Dulac and Santiago Hidalgo), in André Gaudreault, Nicolas Dulac and Santiago Hidalgo (eds.), A Companion to Early Cinema, Hoboken: Wiley-Blackwell, 2012, pp. 1-12.