Publications 2001
Peer-reviewed articles and contributions to edited collections
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“Les vues cinématographiques selon Eisenstein ou Que reste-t-il de l’ancien (le cinéma des premiers temps) dans le nouveau (les productions filmiques et scripturales d’Eisenstein)?,” in Dominique Chateau, François Jost and Martin Lefebvre (eds.), Eisenstein : l’ancien et le nouveau, Paris: Publications de la Sorbonne, 2001, pp. 23-43 (derived from a conference paper presented in 1998 at the Cerisy conference Eisenstein : l’ancien et le nouveau).
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“Il ritorno del pendolo, overro storia di un ritorno in forza… della Storia,” in Gian Piero Brunetta (ed.), Storia del cinema mondiale, vol. 5, Turin: Einaudi, 2001, pp. 221-44.
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“The Noises of Spectators, or the Spectator as Additive to the Spectacle” (with Jean Châteauvert), in Richard Abel and Rick Altman (eds.), The Sounds of Early Cinema, Bloomington and Indianapolis, Indiana University Press, 2001, pp. 183-91, https://monoskop.org/images/0/02/Abel_Richard_Altman_Rick_eds_The_Sounds_of_Early_Cinema.pdf (article derived from a conference paper presented in Washington in 1998 at the 5th Domitor conference). In French “Les bruits du spectateur ou Le spectateur comme adjuvant du spectacle” in Richard Abel and Rick Altman (eds.), The Sounds of Early Cinema, Bloomington and Indianapolis, Indiana University Press, 2001, pp. 295-302. In Italian “I rumori degli spettatori o lo spettatore come adiuvante dello spettacolo,” Comunicazioni sociali 22, new series, no. 2 (May-August 2001), pp. 144-51.
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“Le Cinématographe, un « enfant prodige » ou L’enfance de l’art cinématographique” (with Roger Odin), in Leonardo Quaresima and Laura Vichi (eds.), La decima musa. Il cinema e le altre arti/The Tenth Muse: Cinema and Other Arts, Udine: Forum, 2001, pp. 67-81 (article derived from a conference paper presented at Udine in 2000 at the 6th Domitor conference).
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“Le Centre de recherche sur l’intermédialité,” Visio: International Journal of Visual Semiotics 6, nos. 2-3 (Summer-Fall 2001), pp. 317-26 (article by Marion Froger, with Thierry Bardini, André Gaudreault and Silvestra Mariniello).
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“Le cinéma naissant et ses dispositions narratives” (with Philippe Marion), Cinéma & Cie 1 (Spring 2001), pp. 34-41.
Introductions, prefaces and forewords