Publications 2000

Edited journal issues

• “La croisée des médias” (with François Jost), Sociétés & Représentations 9 (2000), 333 pp.

Peer-reviewed articles and contributions to edited collections

• “Mais où est passé le bonimenteur italien?” (with Stéphanie Côté), in Michele Canosa (ed.), A nuova luce: Cinema muto italiano. I/Italian Silent Cinema. I, Bologna: Clueb, 2000, pp. 103-21 (article derived from a conference paper presented in Bologna in 1999 at the conference Italian Silent Cinema).
• “The Englishman and the Girl, His Last Burglary, The Final Settlement, Taming a Husband, The Newlywed,” in Paolo Cherchi Usai (ed.), The Griffith Project, Volume 4: Films Produced in 1910, London and Pordenone: BFI Publishing/Le Giornate del Cinema Muto, 2000, pp. 1-18.
• “The Diversity of Cinematographic Connections in the Intermedial Context of the Turn of the 20th Century,” in Vanessa Toulmin and Simon Popple (eds.), Visual Delights: Essays on the Popular and Projected Image in the 19th Century, Trowbridge: Flicks Books, 2000, pp. 8-15 (article derived from a conference paper presented in Sheffield in 1999 at the conference Visual Delights: The Popular and Projected Image in the 19th Century).
• “Un média naît toujours deux fois…” (with Philippe Marion), Sociétés & Représentations 9 (2000), pp. 21-36 (article derived from a conference paper presented in Montreal in 1999 at the first CRI conference). In Czech “Médium se vždycky rodí dvakrát,” in Petr Szczepanik (ed.), Nová filmová historie, Prague: Nakladatelstvi Herrmann & synové, 2004, pp. 439-51. In English “A Medium Is Always Born Twice. . . ,” Early Popular Visual Culture 3, no. 1 (May 2005), pp. 3-15; reprinted in Richard Abel (ed.), Early Cinema, Volume I: Theory and Methodology, Abingdon: Routledge, 2014, pp. 69-83.
• “Les paradigmes de l’histoire du cinéma des premiers temps,” Bulletin du C.R.E.D.H.E.S.S. 10 (April 2000), pp. 12-13.