Publications 1999

Books

• Le cinéma en histoire. Institution cinématographique, réception filmique et reconstitution historique (edited by André Gaudreault, Germain Lacasse and Isabelle Raynauld), Paris and Quebec City: Méridiens Klincksieck/Nota bene, 1999, 348 pp.
• Le cinéma au tournant du siècle/Cinema at the Turn of the Century (edited by Claire Dupré La Tour, André Gaudreault and Roberta Pearson), Québec and Lausanne: Nota bene/Payot Lausanne, 1999, 387 pp.

Peer-reviewed articles and contributions to edited collections

• “Pour une approche narratologique intermédiale,” Recherches en communication 11 (1999), pp. 133-42 (article derived from a conference paper entitled “Histoire et perspectives de la narratologie” presented at the Université catholique de Louvain in 1997 at the conference Cinquantième anniversaire des études en communication à l’UCL).
• “Les genres vus à travers la loupe de l’intermédialité ou Le cinéma des premiers temps : un bric-à-brac d’institutions,” in Leonardo Quaresima, Alessandra Raengo and Laura Vichi (eds.), La nascita dei generi cinematografici, Udine: Forum, 1999, pp. 87-97 (article derived from a conference paper presented in 1998 at the 5th international Udine conference).
• “Le bonimenteur de vues animées au Québec” (with Germain Lacasse), in Claire Dupré La Tour, André Gaudreault and Roberta Pearson (eds.), Le cinéma au tournant du siècle/Cinema at the Turn of the Century, Quebec City and Lausanne: Nota bene/Payot Lausanne, 1999, pp. 273-82 (article derived from a conference paper presented in New York in 1994 at the 3rd Domitor conference).
• “Distance et historicité : problèmes et méthodes de la « reconstitution » historique,” La Valle dell’Eden 1, no. 1 (January-April 1999), pp. 23-36; reprinted in André Gaudreault, Germain Lacasse and Isabelle Raynauld (eds.), Le cinéma en histoire. Institution cinématographique, réception filmique et reconstitution historique, Quebec City and Paris: Nota bene/Méridiens Klincksieck, 1999, pp. 107-50.
• “They Would Elope, The Mills of the Gods, ‘Oh, Uncle’, The Sealed Room, Pranks, The Heart of an Outlaw,” in Paolo Cherchi Usai (ed.), The Griffith Project, Volume 3: Films Produced in July-December 1909, London and Pordenone: BFI Publishing/Le Giornate del Cinema Muto, 1999, pp. 16-30.
• “Les traces du montage dans la production Lumière” (with the collaboration of Anne Gautier and Jean-Marc Lamotte), in Philippe Dujardin, André Gardies, Jacques Gerstenkorn and Jean-Claude Seguin (eds.), L’aventure du Cinématographe, Lyon: Aléas, 1999, pp. 299-306 (article derived from a conference paper presented in Lyon in 1995 at the Congrès mondial Lumière). In English “Evidence of Editing in the Lumière Films,” in Christopher Williams (ed.), Cinema: The Beginnings and the Future, London: University of Westminster Press, 1996, pp. 72-81.
• “De quelques figures de montage dans la production Lumière,” in Michel Bouvier, Michel Larouche and Lucie Roy (eds.), Cinéma : acte et présence, Quebec City: Nota bene, 1999, pp. 27-39 (article derived from a conference paper presented at the eponymous conference held in Quebec City in 1995 under the aegis of the Centre Jacques Cartier in Lyon). In Spanish “Sobre algunas figuras de montaje en la producción Lumière,” Archivos de la filmoteca 19 (February 1995), pp. 48-57.
• “Enunciation and Narration” (with François Jost), in Toby Miller and Robert Stam (eds.), A Companion to Film Theory, Oxford: Blackwell, 1999, pp. 45-63. English version of the second chapter of Le récit cinématographique (1990), “Énonciation et narration.”