Books
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Techniques et technologies du cinéma. Modalités, usages et pratiques des dispositifs cinématographiques à travers l’histoire (edited by André Gaudreault and Martin Lefebvre), Rennes: Presses universitaires de Rennes, 2015, 299 pp.
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Méliès, carrefour des attractions (edited by André Gaudreault and Laurent Le Forestier, assisted by Stéphane Tralongo), followed by Correspondance de Georges Méliès (1904-1937), Rennes: Presses universitaires de Rennes, 2014, 536 pp. Critical edition of Méliès’s correspondence established by Jacques Malthête.
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La fin du cinéma? Un média en crise à l’ère du numérique (with Philippe Marion), Paris: Armand Colin, 2013, 275 pp. Book accompanied by a web supplement, available at http://finducinema.com. In English The End of Cinema? A Medium in Crisis in the Digital Age, New York: Columbia University Press, 2015, 256 pp. Book accompanied by a web supplement available at http://theendofcinema.com. In Portuguese O fim do cinema? Uma mídia em crise na era digital, Campinas: Papirus, 2016, 208 pp.
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A Companion to Early Cinema (edited by André Gaudreault, Nicolas Dulac and Santiago Hidalgo, assisted by Pierre Chemartin), Hoboken: Wiley-Blackwell, 2012, 631 pp.
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The Kinematic Turn: Film in the Digital Era and Its Ten Problems (with Philippe Marion), Montreal: caboose, 2012, 51 pp. First publication of an essay translated from the French by Timothy Barnard. The Kinematic Turn: Film in the Digital Era and Its Ten Problems, expanded second edition, Montreal: caboose, 2020, 87 pp. In Turkish Kinematik Dönemeç: On Sorunda Filmin Dijital Çağı, Yort, 2020, 80 pp.
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American Cinema, 1890-1909: Themes and Variations (edited by André Gaudreault), New Brunswick: Rutgers University Press, 2009, 268 pp.
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Cinéma et attraction. Pour une nouvelle histoire du cinématographe, followed by a critical edition of Georges Méliès’s Les vues cinématographiques (1907), established by Jacques Malthête, Paris: CNRS Éditions, 2008, 252 pp. In Italian Cinema delle origini. O della « cinematografia-attrazione », Milan: Il Castoro, 2004, 166 pp. Initial version of Cinéma et attraction, translated from the French by Viva Paci. In English Film and Attraction: From Kinematography to Cinema, Champaign: University of Illinois Press, 2011, 207 pp. Includes a critical edition of Georges Méliès’s Kinematographic Views (1907) established by Jacques Malthête. Translated by Timothy Barnard. Foreword by Rick Altman.
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Le Cinématographe, nouvelle technologie du XXe siècle/The Cinema, A New Technology for the 20th Century (edited by André Gaudreault, Catherine Russell and Pierre Véronneau), Lausanne: Payot Lausanne, 2004, 398 pp.
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Arrêt sur image, fragmentation du temps. Aux sources de la culture visuelle moderne/Stop Motion, Fragmentation of Time: Exploring the Roots of Modern Visual Culture (edited by François Albera, Marta Braun and André Gaudreault), Lausanne: Payot Lausanne, 2002, 351 pp.
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La vie ou du moins ses apparences. Émergence du cinéma dans la presse de la Belle Époque (1894-1910), Montreal: Cinémathèque québécoise/GRAFICS, 2002, 87 pp. Anthology selected, edited and annotated by André Gaudreault and Jean-Pierre Sirois-Trahan.
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Le cinéma en histoire. Institution cinématographique, réception filmique et reconstitution historique (edited by André Gaudreault, Germain Lacasse and Isabelle Raynauld), Paris and Quebec City: Méridiens Klincksieck/Nota bene, 1999, 348 pp.
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Le cinéma au tournant du siècle/Cinema at the Turn of the Century (edited by Claire Dupré La Tour, André Gaudreault and Roberta Pearson), Québec and Lausanne: Nota bene/Payot Lausanne, 1999, 387 pp.
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La transécriture. Pour une théorie de l’adaptation (edited by André Gaudreault and Thierry Groensteen), Quebec City and Angoulême: Nota bene/Centre national de la bande dessinée et de l’image, 1998, 280 pp.
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Au pays des ennemis du cinéma… Pour une nouvelle histoire des débuts du cinéma au Québec (edited by André Gaudreault, Germain Lacasse and Jean-Pierre Sirois-Trahan), Quebec City: Nuit blanche, 1996, 215 pp.
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Pathé 1900. Fragments d’une filmographie analytique du cinéma des premiers temps (edited by André Gaudreault, in collaboration with Tom Gunning and Alain Lacasse), Paris and Sainte-Foy: Presses de la Sorbonne Nouvelle/Presses de l’Université Laval, 1993, 276 pp. Preface by Michel Marie.
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Une invention du diable? Cinéma des premiers temps et religion/An Invention of the Devil? Religion and Early Cinema (edited by Roland Cosandey, André Gaudreault and Tom Gunning), Lausanne and Sainte-Foy: Payot Lausanne/Presses de l’Université Laval, 1992, 383 pp.
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Le récit cinématographique (with François Jost), Paris: Nathan, 1990, 159 pp. Le récit cinématographique, 2nd edition, Paris: Armand Colin, 2005, 159 pp. Le récit cinématographique. Films et séries télévisées, 3rd revised and enlarged edition, Paris: Armand Colin, 2017, 271 pp. In Spanish El relato cinématográfico. Cine y narratología, Barcelona: Ediciones Paidós, 1995, 172 pp. In Korean Yeong wa seo sul hak, Séoul: Shinwon/Dongmooson, 2002, 249 pp. In Chinese Shen Me Shi Dian Ying Xu Shi Xue, Beijing: The Commercial Press, 2005, 274 pp. In Portuguese A narrativa cinematográfica, Brasilia: Editora Universidade de Brasília, 2009, 227 pp.
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L’histoire du cinéma. Nouvelles approches (edited by Jacques Aumont, André Gaudreault and Michel Marie), Paris: Publications de la Sorbonne, 1989, 209 pp.
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Ce que je vois de mon ciné… La représentation du regard dans le cinéma des premiers temps (edited by André Gaudreault), Paris: Méridiens Klincksieck, 1988, 180 pp.
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Du littéraire au filmique. Système du récit, Paris and Sainte-Foy: Méridiens Klincksieck/Presses de l’Université Laval, 1988, 203 pp. Preface by Paul Ricœur. Du littéraire au filmique, 2nd revised and enlarged edition, Paris and Québec: Armand Colin/Nota bene, 1999, 197 pp. In Italian Dal letterario al filmico. Il sistema del racconto, Turin: Lindau, 2000, 240 pp. In English From Plato to Lumière: Narration and Monstration in Literature and Cinema, Toronto: University of Toronto Press, 2009, 225 pp. Translated by Timothy Barnard. Preface to the English-language edition by Tom Gunning. In Chinese Cong Wen Xue Dao Ying Pian: Xu Shi Ti Xi, Beijing: The Commercial Press, 2010, 248 pp. In Spanish Cine y literatura. Narración y mostración en el relato cinematográfico, Mexico: Ediciones Educación y Cultura/UNARTE, 2011, 275 pp.
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Cinema 1900-1906: An Analytical Study. Volume 2. Filmographie analytique/Analytical Filmography (edited by André Gaudreault), Brussels: International Federation of Film Archives (FIAF), 1982, 293 pp.