Publications 2013
Books
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La fin du cinéma? Un média en crise à l’ère du numérique (with Philippe Marion), Paris: Armand Colin, 2013, 275 pp. Book accompanied by a web supplement, available at http://finducinema.com. In English The End of Cinema? A Medium in Crisis in the Digital Age, New York: Columbia University Press, 2015, 256 pp. Book accompanied by a web supplement available at http://theendofcinema.com. In Portuguese O fim do cinema? Uma mídia em crise na era digital, Campinas: Papirus, 2016, 208 pp.
Edited journal issues
Peer-reviewed articles and contributions to edited collections
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“Enseigner le « cinéma » : pour combien de temps encore?,” Écrans 1 (2013), pp. 131-51 (article derived from a conference paper presented at the 19th international Film Forum conference in Udine in 2012). In Italian “Insegnare il ‘cinema’: per quanto tempo ancora?,” in Anna Bertolli, Andrea Mariani and Martina Panelli (eds.), Il cinema si impara? Sapere, formazione, professioni/Can We Learn Cinema? Knowledge, Training, the Profession, Udine: Forum, 2013, pp. 125-36. In English “Teaching ‘Cinema’: For How Much Longer?,” New Review of Film and Television Studies 12, no. 3 (2014), pp. 280-94.
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“Le montage alterné chez Pathé : coupe d’ordre actoriel et coupe d’ordre narratoriel,” (with Philippe Gauthier), Cinéma & Cie 13, no. 21 (2013), pp. 67-73 (article derived from a conference paper presented in Montreal in 2012 as part of the workshop Regards croisés sur la société Pathé Frères).
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“Measuring the ‘Double Birth’ Model Against the Digital Age” (with Philippe Marion), Early Popular Visual Culture 11, no. 2 (2013), pp. 158-77 (unpublished article in French, derived from a conference paper presented in Newcastle in 2011 at the conference The Second Birth of Cinema: A Centenary Conference).
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“Titles, Subtitles, and Intertitles: Factors of Autonomy, Factors of Concatenation,” Film History 25, nos. 1-2 (April 2013), pp. 81-94 (“Titres, sous-titres et intertitres : facteurs d’autonomie et facteurs de concaténation,” article unpublished in French, derived from a conference paper presented at the Cinémathèque française in 1999 at the conference Intertitre et film. Histoire, théorie, restauration).
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“Achat/location : le paradigme perdu…,” in Laurent Creton, Catherine Naugrette and Bruno Péquignot (eds.), Le coût et la gratuité, Tome 1. Art et culture, Paris: L’Harmattan, 2013, pp. 67-75 (article derived from a conference paper presented in 2011 at the international San Servolo summer university).
Introductions, prefaces and forewords